Viva la Causa1974

Filmed in Chicago and finished in 1959, THE CRY OF JAZZ is filmmaker, composer and arranger Edward O. Bland's polemical essay on the politics of music and race: a forecast of what he called "the death of jazz."

HUMAN REMAINS is a haunting documentary which illustrates the banality of evil by creating intimate portraits of five of the 20th century's most reviled dictators.

Gang members, Vietnam veterans and young factory workers from Chicago's neighborhoods tell of their personal experience with racism (who gets hurt and who profits).

A rank-and-file steel workers caucus, the film documents the opposition of the rank-and-file to the no-strike agreement between a Steelworkers President and the ten major steel companies.

This documentary explores the growing difference in the voting patterns of men and women (the gender gap) that could no longer be denied by the mid-1980's.

Negative photography, slow motion and plain attentiveness to the everyday uncanny are all marshaled to reveal the incipient terror underlying crosstown traffic.