Non-Narrative
see all genres ›The short form has proven ideal for more abstract cinematic expressions, whether channeling dreamtime logic or pastiching elements from other media.
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Genres / Short / Non-Narrative
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At Land
AT LAND begins at sea. In the film's stunning opening sequence, a woman (played by filmmaker Maya Deren) emerges on shore, climbs up a pile of driftwood... and finds herself in the middle of a formal banquet. She then moves from lush, verdant jungles to seaweed-strewn beaches, stealing chess...Watch Movie
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Psych-Burn
“PSYCH-BURN was what musicians call a contract-breaker. ABC had given us some coin to make a few short films for a TV pilot. LOVE-IN TONITE was to be a psychedelic rock variety show with live performances, skits and whatnot to cash in on the emerging hippie demographic. Even pre-Disney, the...Watch Movie
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A Colour Box
It is one of the curious quirks of film history that the UK General Post Office is responsible for several masterpieces of cinema. Among them, John Grierson's NIGHT MAIL and this characteristically fizzy Len Lye short, his first camera-less film. Painted directly on film stock, Lye's colors and...Watch Movie
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Gymnopédies
Lawrence Jordan took not only the music but the title from Erik Satie. These three pieces are probably the most famous of Satie's musical series. The precise sense of the word "gymnopédies" is unknown. Etymologically it denotes the goings on of named (gymno) children (paidos); yet here the word...Watch Movie
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Pinball
Think of PINBALL as a spinning flying saucer which lands in your yard, performs, and then flies away to the sound of film flapping in a projector... The film visualizes George Antheil's 1952 revision of "Ballet Mecanique" using trigger fast cutting, painted imagery and sound effects. It might be...Watch Movie
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Phantom Canyon
Stacy Steers' beautiful, surreal animated film is the autobiographical story of a woman trapped in an unhappy relationship and her eventual escape through the Grand Canyon. Steers meticulously crafted the film, using close to four thousand handmade collages, illustrations and drawings, each of...Watch Movie
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T,O,U,C,H,I,N,G,
"If you take the facts of the retina, the flicker mechanism of film projection," Paul Sharits wrote, "then you can make films without logic of language." T,O,U,C,H,I,N,G assaults language rather more directly with its single-word soundtrack ("Destroy") and the image of poet...Watch Movie
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Big Sur
In describing the process of BIG SUR, artist Lawrence Jordan writes, "As with RODIA-ESTUDIANTINA only one shot, which probably was the result of lapse in concentration, was deleted from the original camera roll. This film was intended to extend my experiments with the 'in-camera' film, and is...Watch Movie
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Intervals
INTERVALS is the Peter Greenaway’s self-described “attempt” at creating an entertaining, abstract film; a series of bustling streetscapes from that most photogenic of cities, Venice. Using a self-conscious experiment in frame rate and a structure borrowed from the most Venetian of concertos...Watch Movie
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Cosmic Alchemy
On ancient star maps of magnificent color quality, experimental animator Lawrence Jordan takes the viewer out of this world into a world of cosmic imagination. COSMIC ALCHEMY is thematically and visually consistent with Jordan's earlier shorts and yet, set to an evocative score by John Davis, the...Watch Movie
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Pink Swine
One of Lawrence Jordan's earliest animated films, PINK SWINE is an energetic and playful mix of various animation styles. Described as "an anti-art dada collage film," this free-form short presents cut-out images animated across old photos (a style picked up by Terry Gilliam a few years later)...Watch Movie
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Trypps #7 (Badlands)
“Regarding LSD, brass bells, the youth of today, Terence Malick and CLOSE ENCOUNTERS OF THE THIRD KIND, phase cancellation, the Pine Ridge Reservation and the Romantic Sublime.” That’s how Ben Russell describes this surround sound installment of TRYPPS, an ongoing exploration...Watch Movie
